Saturday, March 17, 2012

Artist and Repetoire REALTRAX BLOG

THE MUSIC INDUSTRY

A&R's

 

What does a Record Label A&R do?

The record label A&R position is a very import job in the music business. A&R stands for Artists & Repertoire. The main function of a record label A&R is to help their artists creatively while helping the record company financially by signing hit acts and developing them. They are usually music industry professionals that are hired to oversee the entire recording process which includes finding the right songs for their artist, working with the right music producers, finding the right recording studio, etc. A major A&R must stay on top of current music industry trends in order to create acts that will do well for the record label that employs them. Even if a record company A&R really likes a band they still may not be able to sign them. Usually it is the head A&R that makes the final decisions. The reason why being an A&R can be extremely stressful is because with every act that you sign your job is on the line. Since there is a high rate of failure in the music industry, A&R people try to sign artists that are already somewhat established. If an A&R does not prove to the record label that they can generate hit acts they will be let go from the company.

How Does Yor A&R Help You Work With Your Label?

Most A&R people were producers, promoters or artists themselves. Basically they are hired to present a trustworthy face to artists and musicians. Usually record company A&R people are in there thirties because they are old enough to know what they are doing & young enough to know what the new trend is. When you get signed you better believe that it is just the beginning, there are still a lot of things that could go wrong. Someone at the record label may drop the ball or your record label A&R person may have to deal with flaky or unhappy music producers that aren't really into the project and are too busy to put their heart in it. You're A&R must also fight for you to get the attention of the record labels publicity, sales and promotion departments. It definitely takes a lot of work on an A&R person's part to get a recording artist from signing to being added to radio play lists and having a video on MTV. The recording process for a record label A&R is very intense because they must make sure that there are enough radio friendly songs on the release. If the A&R feels like there are not enough quality songs he/she will have the artist write and record more.

 

How can you contact a record label A&R?

There are a lot of record label A&R people that accept unsolicited material. The ones that accept unsolicited material may ask you to put a certain code on your package so that they know you have permission to submit. Whenever I find time I usually sort through everything because you never know what you are going to hear. Most A&R reps know exactly what they are looking for in an artist & if they see it in you they will more than likely sign you without any hesitation. If you get your act together & promote yourself aggressively, there is a chance that a record label A&R will come to you. Green day is one band that didn't really have to look for a record deal. All they did was become a local hit & sell a good amount of CD's on their own, next thing that you know a majority of the major record labels wanted to sign them. It is always a great idea to do as much as you can on your own. These days record companies spend less time developing acts, it's almost like they are looking for artists that are already polished and ready to go. Your package should include 3 of your greatest songs, with the best one first because most A&R people will not keep listening unless the first song gets their attention. At times I get a full complete CD from artists that did not include a note telling me which song or songs I should check out. I didn't have time to listen to the whole CD and didn't feel like searching around for a great song. In the package you must also include a quality 8x10 photo, a biography that tells the A&R a story about the artist and how much local or regional success he / she has. Make sure that you leave your contact information home address, email address, home phone cell phone, etc. Make sure that your demo CD is clearly and neatly labeled. If an A&R is interested they may ask for more songs, when your next show is, etc. Since successful music managers, music producers and music publishers act as filters for the A&R people you may want to get them to shop your demo for you. Your demo may have a better chance of someone listening to it if the person who sends it is well known or has a track record in the music industry. You can use music industry resource like All Music Industry Contacts to find a successful music manager, producer or publisher to shop your music. This music business is all about being professional and persistent so work hard at getting your music to the people who can make things happen. Record label A&R people hate when representatives call them or leave messages that are full of hype like I have the best new artist, you better sign us quick or we'll be with universal records or my artists are hotter than the ones out. The only thing this does is make A&R's never want to meet you.

 

 

How do A&R people look for talent?

The internet is becoming a great way for record label A&R people to find new talent because artists are becoming savvy enough to get sites up with MP3 samples of their music. Technology is making the job of finding new talent easier and easier. As I have said before I like it when a successful music manager or producer recommends an act because I trust their judgment but I would never rely on this alone. There are a lot of magazines out there that offer demo reviews for artists; my favorite would have to be music connection magazine. I like to associate with people who program college radio stations because they usually know exactly what is new and hot. Just like it's a stockbroker's job to research potentially profitable stock, it's an A&R person's job to research potentially profitable artists. I tend to like artists that are already selling albums locally and are having those records counted by sound scan. The first and most important thing that an A&R person is looking for is a hit song. The second thing record label A&R people are looking for is a star quality front person that looks good, has style and charisma. The third thing record companies are looking for is an artist or band that has a great powerful stage presence and performance. One of the main reasons why Brittany Spears or 50 cent sells so many records is because shows off there body. Let's face it sex sells and will sell until the end of humanity.

 

"With better preperation comes a better destination."-REALTRAX

Now you have an upper hand against the many fake artist who are just taking up space and time,

and dont want to reap the benefits of dedication.Go get your dream and let no one stop you from achievong it

REALTRAX with the REAL ARTIST in mind

-REALTRAX

iwantrealtrax@gmail.com

reverbnation.com/realtrax

twitter.com/realtrax

 


THE NEXT LEVEL FOR SERIOUS MUSIC ARTIST!



6 Websites A MUSIC ARTIST CAN USE to Distribute their Music Online

Not signed to a record label, and don't have your CD in music stores internationally. REALTRAX is here to tell you that there are more ways for your music to reach your fans and make sells before you get into a major record label.
We posted 6 sites to upload and sell your music with great services that really can expand your fan base.



1.
snocap.com
They give you an audio player for your myspace page so you can set your own prices. So if your selling a single, or a remix, you set your price. Free account, but they take 39 cents per track sold, a low cost for setting your music to be heard globally.


2.
cdbaby.com
They let you upload your album including images so its ready to sell. Your music gets put on Apple iTunes, Rhapsody, Napster, eMusic and many more for you automatically. Plus for a $35 fee CD Baby will send out your music on a hard CD copy to your fans for you and they charge a percentage of each sale, a small amount for the big rewards you can get.


3.
tunecore.com
They let You get 100% of the money that your music earns from digital distribution. Plus they have arrangements with top digital music retailers that lets us place your music in their online stores and subscription services.


4.
artists-first.net
Sell your albums or singles, ring tones, videos and merchandise directly to your customers and fans from any website. No setup fees or storage limits. They take 5% of what you sell.


5.
soundclick.com
Free music artist page. Upload unlimited tracks. They take 30% commission. Get paid via paypal.


6.
reveerbnation.com
Free music artist page. They distribute your music to 40 plus more online retail music stores. You can make your own music app, widgets, music playlist and allow youto reach your fans in many ways.

A new and interesting distribution start-up, which uses data analysis to find award-winning artists. There are zero fees or commission as they use the data as a type of A&R to select artists doing well that they will offer a label deal too.

  • App only (no desktop/web version)
  • 0% commission of royalties
  • No distribution fees
  • Investment backed – long term beware
  • Will offer 50/50 upstream label deal on artists that do well
  • No admin publishing to collect songwriter royalties

Very established and was the first self-distribution company that allowed anyone to distribute to iTunes. They are leading the way in covering all royalty channels for artists. I have used them myself for music compilations, as it’s a very streamlined service.

  • Artist focused
  • 9% commission of royalties
  • $5-$20 one time distribution fees for UPC codes
  • Physical distribution
  • No admin publishing to collect songwriter royalties
  • Excellent sales/streaming reports

A tech-driven, and forward-thinking, slick, no-frills company. I use them for most digital releases and you use just one page to distribute your album or single. In the last 5 years DistroKid has gone on to be in the top 20 distributors of the world. They also offer payment splitting, however each artist or remixer needs to signup for a $19/year account. They are Spotify’s officially preferred distributor for artists too. https://artists.spotify.com/guide/your-music

  • Artist and Label focused
  • 0% commission of royalties
  • Yearly fee for unlimited songs
  • No admin publishing to collect songwriter royalties
  • Option for Beatport distribution by application

International company with offices in Moscow, Dubai, and London. They offer extra services like mastering and marketing, which is how they make their money. They offer language support for Spanish, Portuguese and Russian.

  • Artist focused
  • 0% commission of royalties
  • No distribution fees
  • Can have music distributed in 24 hours
  • Investment backed – long term beware

I had the pleasure of being on a UK music trade mission to India with the CEO of Horus music a few years ago. They were on the mission as they were looking to expand into the Asia and China markets. And the trip has clearly paid off as they have got great penetration in these growing markets.

  • Label and artist focused
  • 20% commission of royalties OR
  • 0% for a fee
  • In-house playlist pluggers available (for a fee)
  • Admin publishing to collect songwriter royalties

These guys were first known as an auto mastering service that actually delivered great results. We used them on a couple of EDM tunes and it turned out great. They now offer distribution to the top digital stores and can also handle the licensing admin for cover songs.

  • Artist focused
  • 0% commission of royalties
  • Yearly or Monthly distribution fee OR
  • No fees with mastering membership
  • In-house playlist pluggers available (for a fee)
  • No admin publishing to collect songwriter royalties

Claim to have the largest distribution channel on the world covering 140 countries. They haven't had any major success stories, despite claiming to have links to major record labels.

  • Label and artist focused
  • 10% commission of royalties
  • Yearly distribution fees
  • Largest pool of online stores
  • No admin publishing to collect songwriter royalties

This distribution company is based in the US and has the largest market share for indie labels in Latin America. They are one of YouTube’s fastest-growing multi-channel networks (MCNs) with over 3 billion plays per month.

  • Label focused
  • Most dominate distributor in Latin America
  • 15% commission of royalties
  • Payment splitting
  • No admin publishing to collect songwriter royalties
  • Option for advances for artists showing traction
  • Excellent sales/streaming reports

While not the biggest of operations compared to other distributors here, they have focused on the Asian and Chinese markets and claim to cover 95% of the world's music market over 193 countries.

  • Artist focused
  • 15% commission of royalties
  • No distribution fees
  • Strong market presence in China and Asia
  • In-house playlist pluggers
  • No admin publishing to collect songwriter royalties

This company is focused towards YouTube creators and video game music composers and has a limited number of platforms. They are great at splitting royalties between creators of a project and have an offer on one of the best independent mechanical licensing services, which is great if you plan to do a lot of covers.

  • Label and artist focused
  • 15% commission of royalties
  • No distribution fees
  • Streamlined cover song service
  • Payment splitting
  • No admin publishing to collect songwriter royalties 

These guys have been around as long as CD-Baby and were the original distribution company we used for Never Say Die Records. Since then have been bought by Believe Digital. They have great reporting, and Tunecore Publishing is great for tracking down songwriter royalties too.

  • Label and artist focused
  • 0% commission of royalties
  • Yearly distribution fees
  • Admin publishing to collect songwriter royalties
  • Excellent sales/streaming reports

Serviced Distribution Companies

The types of distributors can offer what they call 'label services' or 'label management' where for a higher commission can do all the admin heavy lifting for you. They typically work on a commision and there is an application process to work with them.

These guys are owned by Kobalt publishing, who are a very transparent, forward thinking, tech-focused publisher who don't own any of the artists publishing. AWAL is thus very transparent and offers some of the best analytics and data reporting in the industry. Because of this, they can see if an artist is getting traction in the industry and can offer playlist and physical distribution possibilities.

  • Artist focused
  • 15% commission of royalties
  • No distribution fees
  • Sync and playlist possibilities for artists that get traction
  • Strict application only
  • Customer Support can be slow without a representative
  • Excellent sales/streaming reports

We used Believe Music after being courted by them at ADE (Amsterdam Dance Event) and had a great experience with them. They are one of the biggest independent distributors out there and have a great marketing strategy teams and YouTube monetization services. They also have strong sync licensing teams and can broker partnership deals with brands.

  • Label and artist focused
  • 15 to 30% commission of royalties
  • No distribution fees
  • Sync and playlist possibilities for artists that get traction
  • Strict application only
  • Excellent marketing services

Ingrooves are  a full artist and label service company on par with Believe Digital. We have used InGrooves for the last few years as a label distributor and they have been great for placing bannerson the specialist music stores such as Beatport. They also offer publishing rights management.

  • Label and artist focused
  • 10% to 30% commission of royalties
  • No distribution fees
  • Strict application only
  • Admin publishing to collect songwriter royalties
  • Excellent sales/streaming reports

Originally started to help Youtube creators claim payments and even splits between collaborators, Stem evolved into a full-blown music distributor. Their payment splitting is their strong point and probably the best for an independent distributor. You have to agree to splits with everyone on the record before they will distribute you. Frank Ocean and DJ Jazzy Jeff are clients.

  • Label and artist focused
  • 5% commission of royalties
  • No distribution fees
  • Investment backed – long term beware
  • In-house playlist pluggers
  • Strict application only
  • No admin publishing to collect songwriter royalties
  • Excellent sales/streaming reports

Electronic Music Specialist Distributor Companies

These labels will distribute your music to electronic music specialists Beatport, Juno, and TrackItDown.

They offer DJ emailing services for promo, built-in accounting, and the good ones will be there to answer any questions you have when you’re confused or there is an issue with a release in a store. Due to the specialist nature of these companies, you need to apply to each of them for distribution.

FUGA is the worlds biggest electronicdance distributor. Founded in 2006, they have gone on to expand into the US and look to become one of the largest independent distributors connected to over 260 digital platforms. They have many label service tools aimed at electronic labels such as DJ promo and royalty management.

  • Electronic music focused
  • Label and Artist focused
  • 15-40% commission of royalties
  • No distribution fees
  • Strict application only
  • In-house PR and marketing
  • Excellent sales/streaming reports

Label Engine was originally focused on helping electronic record labels easily import sales data from distributors and calculate complicated splits across tracks that had multiple collaborators and remix fees. We have used Label Engine for our royalty accounting for many years, and since we joined they have grown into a full-service digital distributors. They offer DJ promo tools, and auto video creation and uploading to YouTube of your tracks.

  • Electronic music focused
  • 15% commission of royalties
  • Distributes to Beatport
  • Has fee paid models with royalty % combinations
  • Offers royalty management tools
  • Offers DJ Promo tools

Launched in 2006, Label Worx offers a Label Management System (LMS) that covers the various aspects for distributing your music to electronic platforms. They offer DJ promo tools, mastering services and a demo submission solution called Promo Worx. They also have a royalty accounting software solution that is designed to work for specialist electronic labels.

  • Electronic Music Focused
  • 10%-30% commission of royalties depending on your sales history
  • Fees for extra services such as royalty accounting
  • Strict application only
  • Distributes to Beatport
  • Offers royalty management tools
  • Offers DJ Promo tools

The company was founded in 2006 and has grown to be one of the big indie distributors that offer PR marketing, plugging, music video distribution and advances for artists that gain traction. As well as a straight 15% commission, artists and labels can also negotiate a tailored deal as a dedicated partnership.

  • Electronic music focused
  • Label and Artist focused
  • 15% commission of royalties
  • No distribution fees
  • In-house playlist pluggers
  • Strict application only
  • Physical distribution

Triple Vision are one of the leading independent distributors in Europe that specialise in bass heavy electronic music such as drum and bass. They have an extensive vinyl distribution network and can offer P&D deals for labels that get good traction.

  • Electronic music focused
  • 5-15% commission of royalties
  • Offers vinyl manufacturing and distribution
  • Distributes to Beatport
  • Strict application only
  • Has mastering solutions in-house

TAKE ADVANTAGE OF THESE WEBSITE TO SPREAD YOUR MUSIC AND GET PAID!!!
-REALTRAX
WE GOT YOUR BACK!

dont forget that we got new beats everyday & free downloads
IWANTREALTRAX@GMAIL.COM